It was a lengthy process Nikon service dragging their. Distortion is minimal at 28mm.

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Luckily most Nikons today let you set them to remove this distortion automatically.

24 120 f4. The Nikon 24-120m f4 VR is loaded with distortion. A Versatile all-rounder - Nikon AF-S 24-120mm f4 G IF-ED VR A great lens to have if you can only carry one lens is the Nikon 24-120mm f4 G VR. The front of the lens extends 104 cm from the camera body at the 24mm position stretching to 15 cm at 120mm.

Without a doubt the Nikon 24-120mm f4G VR is a very sharp and versatile lens that is optically comparable to some of Nikons professional lenses such as the Nikon 24-70mm f28G yielding great results at comparable focal lengths. In my opinion the 24-120 has a more even performance than the 24-105. The second shot shows an architecture-shot at 70mm.

Surprisingly the Nikon 24-120mm f4G VR is a very sharp lens wide open. The Nikon 24 120mm f 4 G is lighter than the 24-70 mm f28 lens making it easier to pack around at an all-day event or while out and about with the family. And 120mm is definitely the weakest point of the 24-120mm f4G VR.

The 24-120mm zoom lens has a long history with Nikon introduced in 1996 with its variable aperture and then again in 2003 this time with the addition of vibration reduction VR technology. The Nikon AF-S Nikkor 24-120mm F4G ED VR covers a useful wide-angle to telephoto range with a fixed F4 maximum aperture featuring Vibration Reduction for shake-free hand-held shooting at shutter speeds four stops slower than would usually possible with both Normal and Active modes. With its enhanced optics advanced Vibration Reduction and Silent Wave Motor SWM technology this portable performer offers amazing autofocusing speed and image quality.

Without correction on FX it has strong barrel distortion at 24mm and strong pincushion distortion from 35mm through 120mm. Its still heavy compared to a prime but you get more reach with less weight when compared to the 24-70 f28. It sits above the AF.

The Nikon 24-12040G VR delivers good overall performance but unfortunately the FX-corners look like the lens has been designed with only a 12MP FX-sensor in mind. As shown above the 24-120mm f4G VR certainly does get worse in its center performance although stopping down again yields pretty solid overall sharpness. Although manufactured mainly from black polycarbonate the 24-120mm f4G lens is solidly constructed and well finished although a tad pricey for a mainly plastic lens.

Exposure delay mode was activated. The Nikon AF-S Nikkor 24-120mm f4G VR lens was attached to a Nikon D700 body which in turn was mounted on a sturdy tripod. This is an incredibly versatile lens with a well-rounded feature set to render it useful in almost any situation.

The Nikon AF-S Nikkor 24-120mm f4G ED VR 109995 is one of a handful of standard zoom lenses for its full-frame SLR series. As you can see it is practically as sharp as the 24-70mm at f4 in the center and its mid-frame and corner performance are quite good in comparison thanks to much less field curvature. Main image and all 50 crops.

1050 Although this is not a head-to-head test reference has to be made to Nikons other 24-120mm zoom. Tonal and colour variances across the crops are due to changes in natural light during the session. 120mm f40 100 ISO You cant expect too much bokeh from any lens at f40 the 24-120G VR being no exception here.

Designed for utmost versatility the AF-S NIKKOR 24-120mm f4G ED VR gives you the freedom to shoot wide-angles close-ups and everything in between with just one lens. What little bokeh it shows suffers from some outlining in the foreground and background which produces a nervous effect. The 100 crops represent about 1300th of the total frame area.

Attaching the petal-shaped HB-53 lens hood adds a further 4 cm. Slim 5x zoom with a fixed f4 aperture The AF-S NIKKOR 24-120mm f4G ED VR is the perfect FX-format standard zoom lens for landscapes portraits weddings and distant subjects offering a constant maximum aperture to maintain exposure settings throughout the entire zoom range and VR II image stabilization to empower your handheld shooting. On a 36MP full-frame sensor you need to stop down to f8 to lift FX-corner performance to good levels.

Quality wise while I cant speak about the Sigma my 24-120 had a decentering issue that required the whole lens assembly replacement. We see a pretty visible overall drop of sharpness across the frame with wide-open performance looking the worst. The Nikon 24-120mm f4 VR lens mounted to a Nikon D700 body Weighing about 25 more than its predecessor the AF-S Nikkor 24-120mm f4G ED VR is still lighter and more compact than Nikons other current all-purpose zoom lens the AF-S Nikkor 28-300mm f35-56G ED VR which was announced on the same day and recently reviewed by us.


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